Monday, July 31, 2017

US actor, playwright Sam Shepard dead at 73

KENTUCKY: Sam Shepard, the Pulitzer Prize-winning playwright and Oscar-nominated actor whose career spanned nearly five decades, has died, US media reported Monday. He was 73.

Shepard died at home in Kentucky of complications from amyotrophic lateral sclerosis, or Lou Gehrig's disease, The New York Times reported, citing a family spokesman.

Shepard, who wrote nearly 50 plays, won the Pulitzer for drama in 1979 for his play "Buried Child" and was nominated for an Academy Award in 1984 for best actor in a supporting role for the 1983 movie "The Right Stuff."

One of his most recent roles was in the Netflix television series "Bloodline."

Born in Fort Sheridan, Illinois in 1943, he was the son of a teacher mother and Army officer father, who was a bomber pilot during World War II.

Shepard had a nomadic early childhood, moving from base to base around the country before graduating from high school in Duarte, California.

He started acting and writing while still in high school, and spent a year studying agriculture before joining a traveling theater company and later moving to New York, where he began writing plays.

He became playwright in residence at San Francisco's Magic Theater and also worked in Hollywood as a writer on "Zabriskie Point" in 1970, until his role as Chuck Yeager in "The Right Stuff" brought him a wider audience.

"Paris, Texas," for which he wrote the screenplay, won the Palme D'Or at the 1984 Cannes Film Festival.

In 1986, he was elected to the American Academy of Arts and Letters. His plays are performed on and off Broadway and in all the major regional America

Sunday, July 30, 2017

Diana confessions set to air on British TV

Footage of the late princess Diana pouring her heart out about her failed marriage with Prince Charles will air on British television for the first time, a channel confirmed Sunday.

Ahead of the 20th anniversary of her death in a Paris car crash, Channel 4 will broadcast "Diana: In Her Own Words" on August 6, despite a report in The Mail on Sunday newspaper that her brother Earl Charles Spencer is unhappy with the decision.

The tapes show the late princess of Wales speaking frankly to her voice coach about her loveless marriage to the heir to the British throne and his affair with Camilla Parker Bowles, now his wife.

Diana also discusses her struggle with bulimia and an unconsummated romance with a mystery man, widely believed to be her bodyguard Barry Mannakee, who died in a motorbike accident.

"At 24, I fell deeply in love with someone who was part of all this and that was all found out and he was chucked out and then he was killed. And that was the deepest blow in my life," she says in the footage.

The tapes were screened in the United States in 2004 and are available online, but they have not been never broadcast in Britain before.

Defending its decision, Channel 4 said the footage was an important historical resource.

"Though the recordings were made in private, the subjects covered are a matter of public record and provide a unique insight into the preparations Diana undertook to gain a public voice," it said in a statement.

"This unique portrait of Diana gives her a voice and places it front and centre at a time when the nation will be reflecting on her life and death."

The tapes were filmed in 1992-1993 at her Kensington Palace home by voice coach Peter Settelen, around the time that Diana separated from Charles.

She died in a car crash in Paris on August 31, 1997.

'Intrusive'

Twelve tapes were made, of which Settelen owns seven following a legal battle after they were found in a police raid on the home of Diana's butler Paul Burrell in 2001. The whereabouts and content of the other five is unknown.

Settelen's lawyer Marcus Rutherford said his client had been reluctant to show the tapes.

"But now, coming up to the 20th anniversary, with everyone, including her own children, discussing Diana and revisiting her life, he wants Diana to be able to speak for herself," he told The Sunday Telegraph newspaper.

Royal biographer Penny Junor told the newspaper that Charles and Diana's sons princes William and Harry would not want the tapes aired again, saying it would be "deeply hurtful to them".

"This is just another way of exploiting Diana," she said.

Rosa Monckton, one of Diana's closest friends, said it was "absolutely disgusting" that the tapes were being shown.

"How intrusive is this? It doesn't matter that it was 20-odd years ago," she told the Mail on Sunday.

"Think of the hurt they are causing to her family, to her sons."

'Dunkirk' beats out 'Emoji Movie,' 'Atomic Blonde' to repeat no. 1

An unlikely battle emerged at the box office this weekend between "The Emoji Movie" and "Dunkirk." As of Saturday morning the animated feature and war epic seemed to be in a dead heat. But by Sunday morning, most of the dust had settled, and it appears "Dunkirk" will once again be the weekend's first place film.

Christopher Nolan's latest from Warner Bros. over-performed last weekend when it opened to over $50 million, showing that the director, combined with positive critical reception, still has a strong draw -- even for a movie lacking movie star power, and at risk of being written off as yet another World War II movie. This time around it looks to take in $28.1 million from 3,748 locations, for a strong hold.

It's the first time that a movie has been first place two weekends in a row since the same studio's "Wonder Woman" in early June. Patty Jenkins' movie has had a phenomenal run since, and is currently closing in on $400 million domestic (right now it's at $395.4 million).

That means Sony's "Emoji Movie" is in second for the weekend with $25.7 million from 4,075 locations. The animated adventure took a lot of heat from critics -- reaction ranged from meh to horrible, earning its current Rotten Tomatoes score of 8%. Its B CinemaScore is also quite low for an animated movie, meaning audiences aren't particularly enjoying the movie either.

T.J. Miller plays the central character, a "Meh" emoji who has "no filter," meaning his expression can change. The same cannot be said for the rest of the cast, which includes James Corden, Anna Faris, Maya Rudolph, Christina Aguilera, and Sofia Vergara. Oh yeah, and Sir Patrick Stewart plays "Poop."

"We're thrilled," said Sony's marketing chief Josh Greenstein. "The audience has spoken and made the 'Emoji Movie' a family event."

That leaves this week's other major release, "Atomic Blonde" somewhat straggling. Focus Features and Sierra/Affinity is looking at a decent, but slightly below expectations launch for the Charlize Theron-starrer with $18.5 million from 3,304 locations. Earlier in the week "Blonde" was pegged at $20 million, but the opening weekend result is still solid considering its $30 million budget. It's also one of the largest launches for Focus, behind only "Insidious Chapter 3" ($22.7 million); "London Has Fallen" ($21.6 million); and "Burn After Reading" ($19.1 million).

The R-rated spy thriller has been compared to a female "Bond" or "John Wick." After all, it shares DNA with the latter in stuntman-turned-director David Leitch, who will next helm the "Deadpool" sequel. "Blonde's" launch is bigger than the first "Wick," which opened in Fall 2014 to $14.4 million, but less than its sequel ($30.4 million).

In "Blonde," Theron plays a hardcore action star -- the type of character that knocked out audiences in "Mad Max: Fury Road" -- named Lorraine Broughton. The rest of the cast includes James McAvoy, John Goodman, and Sofia Boutella.

"We're very happy with the opening. I feel this movie is going to have legs to it," said Lisa Bunnell, distribution chief at Focus Features.

Bunnell also pointed to Focus' commitment to putting women in and front and behind the camera with recent releases including "The Beguiled" and "The Zookeeper's Wife." "There's always a thought process behind 'Let's see some diversity,'" she said. "This is definitely a movie where Charlize takes center stage ... she can fight men, and she can beat men, so it's a really empowering movie to go see."

"Blonde" will land just below the summer comedy event that "Girls Trip" has become. Universal's release is posting $20.1 million during its second weekend from 2,648 theaters, for only a 36% drop from last weekend. Conversely, EuropaCorp and STX's "Valerian and the City of a Thousand Planets" flopped last weekend, and is falling off fast. This weekend, Luc Besson's epic domestic dud should make $6.8 million from 3,553 locations. Sony's "Spider-Man: Homecoming" is hanging in the top five with an additional $13.5 million this weekend.

Annapurna showed Kathryn Bigelow's "Detroit" at 20 locations before its wide rollout next weekend. From those theaters, the critically approved crime drama took in $365,455 for a per screen average of $18,273.

"We're seeing that first and foremost, people are really into the movie," said Annapurna's distribution head Erik Lomis, who pointed to strong exit information, including 71% of the audience marked "definite recommend." "It's a Kathryn Bigelow film, so it's for everybody," he added.

To treat the bigger picture, this weekend is not good news for the summer box office overall, which is now 8.1% behind last year.

"We have been in a major struggle to compare favorably with last year's summer season week after week and with yet another 'down' weekend on the books, the summer deficit just added another percentage point in the wrong direction," said Paul Dergarabedian, senior media analyst at ComScore, who pointed out that this weekend's crop could not compete with 2016's "Jason Bourne" and "Bad Moms." Looking ahead, the first weekend in August seems to signal even more gloom and doom, as several films will be measured up against "Suicide Squad's" record breaking August 2016 tally.

Super hero’s ‘homecoming’ delayed!

The month of July could have witnessed the clash of the new Spiderman movie with our very own Project Ghazi at the box office, but due to an unavoidable situation, this could not happen.

I managed to see the reboot of the 'Spiderman' franchise, by the name of 'homecoming', but was least impressed. The change in cultural identities of the sidekicks, such as the best friend and the love interest, was puzzling for me.

In Pakistan, the 'homecoming' of its own superhero film was scheduled for the same month. With big sponsors and huge funds involved, Project Ghazi was dubbed the country's first-ever superhero film.

However, it met disaster on the premiere night when a half-cooked film was screened. Sanity prevailed and the release date was pushed ahead. It is reported that due to the pressure from sponsors, an incomplete film got to the premiere.

If sponsors had been successful in making big movies, Hollywood would have churned out dozens while I was in school. We longed for Avengers, Justice League and Super Friends in the 1980s, which were nowhere in sight.

I remember Pakistan's first sci-fi film, Shanee, came out in those days. It was the debut feature film for director/producer Saeed Rizvi, who had made a name by making famous TV commercials. Marketed as a horror film, it turned out to be a sci-fi thriller, introducing Pakistan's own superhero in the process.

Shanee had everything a kid living in those days wanted to see. A spaceship, an alien, lasers, a speedy chase, energizing of the characters, lots of action and well-written dialogues, which were only seen during Sultan Rahi-Mustafa Qureshi's confrontation, that too in Punjabi.

In a meeting with Saeed Rizvi, I was taken back in time as to how the idea was conceived. Saeed belongs to a family of filmmakers — his father Rafiq Rizvi was a veteran, who had been making films before the partition of the Sub-continent.

Saeed credits his futuristic Pakland Cement commercial from 1985 behind the idea. 'When daddy saw the commercial, which had Laser energizing a complete factory, he advised me to make a film using that technology. I started working on it, but due to my busy schedule, it took a year to develop a detailed script. To get a powerful story, I engaged senior writer from daddy's team, late Agha Nazir Kawish, who had earlier written films like Aag Ka Dariya, Phir Subha Hogi and Samandar, recalled Saeed.

The title role was played by Sherry Malik, a model-turned-actor, who played the role of an alien with a wooden face. There was excellent support from veterans Babra Sharif, Nayyar Sultana and Muhammad Ali.

The film begins when an alien arrives on earth, later transforming into Shanee, the fiancé of Babra Sharif's character Hina. Shanee had been killed by Shamsher Khan, played by Asif Khan, and his 'return from the dead' alerted the bad guys. Nayyar Sultana played Hina's mother while Muhammad Ali was Dino Chacha, whose son was also killed by Shamsher.

The shooting for the film started in 1987 in Shabab Studio, where Saeed rebuilt a village, to his own liking. The theme, similar to 'He-Man and the Masters of the Universe', appealed to the age group who were not yet teenagers. The well-choreographed fight sequences were never seen before in a Pakistani film.

"When I announced my project, nobody had belief in me, except for the late critic AR Slote. All audio effects were purchased from Los Angeles. There was no help from the government in those days and not a single penny was invested from the private sector as well, as they thought I was crazy," Saeed went back in time, which he still considers the worst for the film industry.

The film was released on March 10, 1989. Saeed Rizvi wanted to release it on March 3, the day of his father's birth. Rafiq Rizvi died in September 1988, during the production of Shanee, and failed to see the final movie, which opened to packed houses. Most of the crowd comprised school kids, usually accompanied by their parents.

Nearly three decades have passed since Shanee. Instead of progressing, the film industry collapsed and is now reinventing itself. Project Ghazi, like Shanee, has an ensemble cast with Humayyun Saeed, Shehryar Munawwar, Syra Shehroze, Talat Hussain and Adnan Jaffar. Director Nadir Shah, like Saeed Rizvi, hails from the advertising field.

When the trailer of Project Ghazi came out, it was promising. I wish the mishap of the premiere night turns out to be a blessing in disguise, and the makers come up with a great film. Shanee mesmerised those who saw it, let's hope, Project Ghazi leaves a similar effect on its viewers. 

Saturday, July 29, 2017

Mongolian melody: Hip-hop duo splices traditional singing and urban beats

Hip pop singers Sanjjav Baatar (L), Battogtokh Odsaikhan of a band called 'Fish Symboled Stamp', and a sound engineer adjust a mixing console in a recording studio in Ulaanbaatar, Mongolia, June 24, 2017. REUTERS/Joseph Campbell

ULAANBAATAR: Ulaanbaatar's urban music scene is buzzing with a new vibe created by a hip-hop duo mixing into their sound the traditional art of throat singing, or "Khoomei", as Mongolians refer to it.

Rap group Fish Symboled Stamp, named for a fish-shaped seal traditionally used to brand horses in the landlocked nation, incorporates the nearly 1,000-year-old vocal tradition of communities across Siberia and Central Asia.

Khoomei means "pharynx", and performers imitate the sounds of nature, emitting a melody of harmonics alongside a continuous drone, UNESCO, which added the art form to its intangible heritage listing in 2009, says on a website describing it.

Lead bass vocalist Sanjjav Baatar, 32, founded the group with rapper Battogtokh Odsaikhan, 30, in 2010, when they started experimenting with music styles.

Finding the voice that best suited them took some time.

"I couldn't understand what voice I should use," Baatar said. "One day my partner said, 'Why don't you rhyme with your Khoomei voice?' I tried it out, and it sounded really good."

Odsaikhan believes the cultural reference sets Fish Symboled Stamp apart from other Mongolian hip hop groups.

"Mongolian hip hop is no different from that in the West. It's just copy and paste," he said.

The pair says they were inspired by Mongolian folk religion and frequent childhood visits to the vast steppe undulating in every direction.

Mongolia's climate and environment contributed to the development of Khoomei, said Lhamragchaa, a throat singing teacher at a private school in Ulaanbaatar.

"Our ancestors were herding their cattle in the open grasslands and were hearing the sounds of nature, like wind blowing, and trying to imitate them," said Lhamragchaa, who has only one name, like many Mongolians.

Bataar and Odsaikhan are proud of their culture, nationalism and Mongolia's historical legacies, which predominate in their lyrics.

Fish Symboled Stamp represented Mongolian art at the recent opening of an art gallery, drawing favourable comment for their skills in folding together traditional and modern music.

"Such performances can make Mongolians proud of their cultural heritage," said Otgonbileg, a 50-year-old teacher.

Friday, July 28, 2017

Pop singer Katy Perry to host MTV Video Music Awards show

Katy Perry performs on the Pyramid Stage at Worthy Farm in Somerset during the Glastonbury Festival in Britain, June 24, 2017. REUTERS/Dylan Martinez/Files
 

LOS ANGELES: Pop singer Katy Perry will host the MTV Video Music Awards (VMA) in August, MTV said on Thursday, and will also perform and compete for some top awards.

The hosting gig will kick off a busy 12 months for Perry, who embarks on a world tour in September and will be a judge in 2018 on the new version of the television talent show American Idol.

Perry, who released her latest album Witness, in June, is the most followed person on Twitter, with more than 100 million followers.

Her big-budget video "Chained to the Rhythm" will compete in four categories at the VMA show, but she was snubbed in nominations for the top two categories of video of the year, and artist of the year.

The "Roar" singer was also nominated with Calvin Harris in the best video collaboration category for "Feels", pitting her directly against her pop rival Taylor Swift, who got a nod for her duet with Zayn Malik for "I Don't Wanna Live Forever."

The MTV Video Music Awards are scheduled to take place in Los Angeles on August 27 and will be shown live on MTV.

MTV taps Katy Perry to host VMAs

Katy Perry will host this year's MTV Video Music Awards, the network announced Thursday, as it turned to one of pop music's most visible stars for its big gala.

Perry was also the first performer announced for the awards, which will be aired globally from Los Angeles on August 27.

MTV broke the news by posting a picture of the newly blonde singer clad as an astronaut -- a nod to the awards' "Moonman" statuette and the network's early commercials.

In a statement, Perry joked that she had started "training in zero gravity."

MTV has experimented with different host formats for the annual party, which are generally better remembered for attention-grabbing on-stage incidents than for the award winners.

Miley Cyrus hosted the event two years ago, but in 2016, MTV decided to have multiple presenters throughout the night rather than a single host.

Perry, the only person with more than 100 million followers on Twitter, is up for five VMAs this year for "Chained to the Rhythm," her disco-inspired track whose video presents a sci-fi amusement park fantasy.

The 32-year-old has three videos that have reached one billion views on YouTube, led by "Roar."